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Member of BYICAA Artists / International Artist 会员艺术家/ 国际艺术家

阿斯霍克 达斯
Ashok Das

《重建III》

木炭、丙烯酸、胶带  53x73cm   2014



《尖叫 》  2011
《错误的处理》  2013
《尖叫-1》  2012
《燃烧》  2011 
(从左边)

“尖叫”这幅画我试图表达的暴力,暴力也是平和的一部分,当作为人性面孔成为怪物便表达出了进攻和可怕,图像是画抽象那么现实,介质用木炭线在纸上,看起来非常狂野和攻击性。



《黑》  5x6 英尺  2011       
《市场街》  5x6 英尺  2011  
《X》  5x6 英尺  2011

(从左边)


“黑”为主题的绘画肖像的盲人和他的生命情怀,画的大小是5x6英尺用丙烯酸和油画,油画以绿为主色,用一些装饰性的动机作为大自然的美。

 


《无耻的嘴唇》  5x6 英尺  2013

《没有嘴唇》  3x4英尺  2013 

《粉红》  4x4英尺  2013
(从左边)
        

《没有嘴唇》
 3x4英尺  2013 

“无耻的嘴唇”为主题的甘地的三只猴子与现代社会,表达和代表的一切作为一个工业产品…以及我们的工业和成人文化,一些元素,如…葡萄酒瓶和玻璃,神与女神的雕像。介质:丝印,亚克力,木炭线。


 《烟》  2013
《和平》  2014
《红色》  2013


 《红色》  2013


“烟”是素描纸上也涂上丙烯酸颜料,图中人物的形象比其他绘画更加真实(“黑”、“尖叫”系列,“酒鬼”系列)。
    

《启蒙》
木炭,纸上丙烯 53x73cm 2014

“灰色”是另一个系列(绘画专业第一年),在这一系列用黑木炭,黑色亚克力,用浅红色,作为一个图我画的图怪物类题材,表达的是非常攻击性和可怕。
 

  《灰》
木炭、纸上丙烯   74x53cm  2013

我的艺术作品吸引观众从旁观者的角度,一个看不见的现代场景交互。这会造成一种心理上的歧义,这是一种强烈的形式和颜色所强调的。”我想把我的工作中的离别和缺乏情感结合在一起。”



《蓝血》

木炭、纸上丙烯  37x63cm     2015



《蓝血-1》
木炭、纸上丙烯   37x63cm      2015

我的画显示了我对涂料的痴迷。每一块都是建立在多层,厚,薄,透明和不透明-每一层的建筑上,进而下一个。我的抱负是创造令人难忘的视觉体验,而不是概念上的审美体验。有时我经常重复相同的形式,但每次看同一次,但在每个人都有自己的表达时,你往往会发现彼此的差异。


《手和坏掉的工作》 

木炭、纸上丙烯 56x70 cm 


有时我绘画个人的情感,有时把尖叫和恐怖的脸作为一个主体,涂上进攻性的涂料,我的工作,我表达人类的幸福、悲伤、痛苦、不满和成人文化。



《空白的空间2》
木炭、纸上丙烯  56x72cm   2016


《空白空间》

木炭、纸上丙烯  56x72cm   2016


我作品的媒介多样化,从情感到木炭画,再到丙烯画,从反抗到达爱的过程。我进行的整个过程是无意识的,作品以各种方式和我链接到一起,这些方式以不同呈现到作品中,成为一部分。得到真实感知的这种体验对我来说像一个永远没有尽头的过程。



Ashok Das(India):
“Scream” in this painting I try to express violence which also part of

peacefulness and as subject humane face became monster and those

expressions are very aggressive and horrifying, and images are painted

abstract then realistic, Medium used silk screen with charcoal line on 

paper, which look like very careless and aggressiveness.

                                                        

“Black” in the painting paint as subject a portrait of blind person and his 

felling about life, the painting size is 5x6feet and used acrylic and oil, the

painting dominated by green color and used some decorative motive as 

the beauty of nature.


“Shameless lips” As subject Gandhi’s three monkey with modern social

expression and represent everything as an industrial product....mixed 

with our industrial and adult culture, Some element like ... wine bottle 

and glass, statue of god & goddess. Medium –silk screen, acrylic paint 

and charcoal line. 


 “Smoke” is charcoal drawing on paper and also painted with acrylic 

color,in this drawing a human figure...the figure is more realistic then the 

other painting (“black”, ‘scream series”, “alcoholic series” ).

   
“Grey” is another series of drawing during  m.f.a 1st year, in this series 

used black charcoal, black acrylic and used little red, as a subject of 

drawing I painted monster kind of figure, the expression is very 

aggressive and horrifying.

      

My Art works entice the viewer to interact with contemporary scenes from 

the vantage point of an unseen onlooker. This creates a psychological

ambiguity that is emphasized by strong forms and colors. "I am trying to

incorporate the elements of detachment and lack of emotions in my work."


My paintings show my continuing obsession with paint as substance. 

Each piece is built up in numerous layers, thick and thin, transparent 

and opaque-every layer building on the previous and informing the next. 

My ambition is to create memorable aesthetic experiences that are 

visual rather than conceptual. Sometimes I often repeat the same Forms 

but each look same at one time but you can often find difference in each 

when you closely towards each, each has its own expressions sometimes 

I try to paint personal emotion, sometimes as a subject screaming and

horrifying face which painted with aggressive brush work and in my work, 

I deconstruct the human happiness, sadness, Pain, unsatisfied and adul

culture.


My medium of works varies from emotions to drawing in charcoal and it 

goes on with Painting in Acrylics like the journey of aggression till it 

reaches love. The whole process which I under took is very spontaneous 

and the works connects me in various way where all are some or the 

other way being its part. The process of getting the real feeling of uneven

journey experience is now a never-ending process to me.



BYICAA
《方向 未来 Pulse of the Future》

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企业社会责任研究中心
编辑:李慧珍
文章: 阿斯霍克 达斯  Ashok Das
文字整理:杨志荣
翻译:BYICAA翻译之家 吕晓宁

BYICAA CSR Research Center
Editor: Hyejin LEE
Article:  Ganesh Chandra Basu   
Text arrangement: Zhirong YANG   
Translation: Translators of BYICAA    Xiaoning LV



*转载文章注明文章来源*



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文章来源:bt365手机版_bt365有手机app_bt365手机版  发布日期:2017/9/8  本文被浏览了712次

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